The current body of work.

Tall cylindrical vessels in jiaotai porcelain. Each carries a different cane pattern — from the painterly Tree Pattern to the classical Feather plume — but the form is consistent: flared lip, narrow waist, broad shoulder. Made to order in conversation with the workshop.

Single teapots and teapot pairs in marbled cane porcelain. The forms range from small pouring pots with cane-wrapped bodies to blue-and-white reading pairs. Made to order, four to six months.

Multi-piece tea sets — small cups and a serving vessel, sized for gongfu tea or sake. Each set reads as a single composition across all pieces.

Sets of handleless cups for tea, sake, or water. Each cup in the set is a different combination of the workshop’s signature cane work.

Two-handled flasks with cane surface decoration. The handles are themselves sculptural — often dragon-form — and continue the marbled pattern into the body of the piece.

Sculptural forms built up from multiple coloured clay bodies, twisted into a cane, sliced, and reassembled over the form. The Pixiu, a mythical winged lion and an auspicious symbol in Chinese tradition, is the most-requested of the sculptural pieces.